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China
worships Marvel Comics. It's official !
When you think of China, what do you think of? The Great Wall perhaps.
Lots of people in baggy green shell-suits waving red books. If you're
as sad as us boffins here at the 'Nest, it might be TV series like
Martial Law, Monkey, or the Water Margin.
One thing you're probably not likely to think of is members of
the Chinese Central Committee sitting around Red Square squabbling
with each other over who gets to read the latest issue of the Fantastic
Four or Spiderman, though.
However, this is basically what has been happening behind the doors
of the Chinese government.
Yes, Stan Lee, the once creative power behind Marvel Comics, has
just come back from a trip to Beijing where he received 'special
status' document from the Chinese government for both himself and
his new company, Stan Lee Media.
Special 'exalted creator' status is the modern equivalent of being
invited to Buckingham Palace and being given the keys to the city,
and it will allow Smiling Stan to wave a light sabre through the
mountains of red tape China requires of most foreign businessmen.
It basically acts as a pass from the government saying "Extend
every courtesy to this guy and screw with him at your peril - signed
the people who control the police, army and civil service. Take
the hint."
It opens every door except one, that of the Domestic Censorship
Commission - whose standards Stan is still expected to conform to.
Big fans of the Stanster's work, the Chinese politburo also want
Stan Lee Media to open an animation studio in their capital. They
have realised that the service, information and entertainment sectors
of the economy are the boom areas of the 21st century,
and now they want a piece of the action.
A spokesman from the Economic Ministry of China commented: "One
of the major cultural export success stories between Asia and the
West has been the flow of Manga and Anime. There is no reason China
should not be able to capitalise on the wide range and depth of
skills of our own artists. The province of Hong Kong has already
shown what is possible with our exciting action dramas."
At an age when most people are happy to be singing along with Sunday
Worship in an OAP home, Stan, who has recently hobbled into the
grand old age of seventy seven, was created an honorary member of
the Japan-China Digital Manga Association (the first artist outside
of Asia to be so honoured).
Our Stan was also extended the right to do the opening address
at the First Congress of Anime and Manga Creators, run by the main
Chinese government paper, the People's Daily. In return for
all these fine awards, China wants Stan to help create a range of
Sino-centric paper comic books, theme parks, computer games, TV,
movies, web-casts, and merchandising tie-ins.
These turn of luck is not the first Stan has had of late. His best
stroke of fortune came when the company he had created and was still
working for, Marvel Entertainment, went bust at the end of the '90s.
This voided a rather unfair life contract he had signed - in the
days when comicbook creatives had to - tying his fortunes to that
of Marvel without the benefit of the royalties modern artists like
Frank Miller now demand.
More luck came Stan's way when he acquired the animated rights
to Conan the Barbarian, as well as - rather bizarrely - an animated
version of the Cops TV show. God knows how that one will make the
jump to cartoon-dom, given this is normally best associated with
following real police around with camcorders.
He is also working on a cartoon series for Star Ship, a
TV concept produced by Gene Roddenberry which has been confused
with Andromeda of late. This is the one - we think - where the Earth
is destroyed by a cycle of rogue solar activity (read sun flares
on a supernova-scale), and the survivors bog off in a generation
ship to find a new Earth-like planet to colonise.
Yep, we took a vote here at the 'nest, and it's official. When
- if - we're pushing into our late seventies, the person we most
want to be is, Stan Lee.
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