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HAL
meets fantasy artist Frank Kelly Freas, and it's pure sorcery
Uncle Geoff's reading shelf has been creaking
this month with the books that have flowed in for review. He brings
you the best of the litter …
1. HAL’s Legacy: 2001’s
Computer As Dream And Reality
edited by David G. Stork
Pub: MIT Press. 384 pages. Price: £12.50. ISBN: 0-262-69211-2
This book was released in 1997 to coincide with
the HAL 9000 computer’s operational birth in Arthur C. Clarke’s
novel version of ‘2001: A Space Odyssey’. As its editor points
out, this is 5 years later than what Kubrick gave it in the film.
Even so, neither date has been considered that realistic for having
an Artificial Intelligence (AI) computer in our own reality.
How do they know? Simple. This book has 12 leading
computer experts discussing all aspects of AI as related to HAL
and the problems as they see it happening. It also covers the current
state of the hard and software. Developments in space travel didn’t
keep up with the progress that was anticipated had there been a
serious effort to develop a Moon colony before progressing to the
other planets and infinity.
These aren’t experts debagging the film as such,
as many of them were inspired by the film to take up the profession,
but going over many of the problems that would need to be resolved
to make HAL a reality.
Much of this book is given in layman terms and
would be ideal fodder for any aspiring SF writer to read before
creating an AI for their stories. Had I known about this book last
year, it certainly would have appeared in the bibliography section
of my SF Nomenclature website chapter ‘Memory Bytes But The Machinery
Lingers On’ as a must-read. It isn’t and hence this late review.
I wasn’t exactly being totally honest when I said
2001 wasn’t totally debagged. There was some comment about
the differences in computer technology as depicted in 1966-68 (the
time the film took to make) and what we have today. I’d defy anyone
to be that accurate or, under so much scrutiny, to make such a totally
accurate prediction myself that far back.
When I first saw 2001, computers were still
regarded as something only experts could come to grips with, let
alone contemplate that we might all have one at home 30 years hence.
The problem with books discussing computers is
how quickly they can date. As work in AI has still to make any really
significant breakthroughs, the thoughts in this book are still reasonably
valid.
You might not want to buy the book but you’d certainly
want to look at a library edition. If you’re a total 2001
nut, you’ll love the selection of widescreen photos included in
this book. Those reading the bibliography of Arthur C. Clarke’s
introduction are also going to be wanting to order a special book
on HAL in the not to distant future.
2. Frank Kelly Freas:
As He Sees It
text by Frank Kelly Freas and Laura Brodian Freas
Pub: Paper Tiger. 112 pages. Price: £20.00. ISBN:
1-85585-848-7
Check the website: www.papertiger.co.uk
for their other books.
Check the website: www.kellyfreas.com
from the man himself.
Any SF fan worth their salt doesn’t need an introduction
to who Frank Kelly Freas is. Winner of 10 Hugo Awards for his incredible
art that has amused and inspired all who have seen it. Even better,
Freas wrote the text himself so you get a personal insight into
both the man, his opinions and his art.
This book explains something about the techniques
that Freas applies to his commercial work that will delight artists
who want to know how he does his work.
There is also his perspective on the SF community
that he clearly adores, the attitudes of critics and those who buy
art. If you want an insight into what make Freas ticks, then this
is one book that you’ll be proud to have on your shelves.
The fact that his original art isn’t bigger than
A3 also means very few of his pictures in this book overlap the
centre spine. If I was to be overtly critical, I wish there were
more pictures than shown here but I’m spoilt by his first book,
‘The Art Of Science Fiction’.
The pictures just seem to run out here. Considering
how prolific Freas is, there’s a sure bet that we’ll see another
book in a year or two.
3. The Mammoth Encyclopaedia
Of Unsolved Mysteries by Colin Wilson and Damon Wilson
Pub: Robinson. 662 pages. Price: £ 7.99. ISBN: 1-84119-172-8
Check the website: www.constablerobinson.com
for their other books.
Not quite sure why the Robinson publishers thought
this book would be under my remit but as such books are usually
in the shelves next to SF, I defy any fan not to take a more than
casual interest in things that are considered out of the ordinary.
As the title suggests, this book covers unsolved
mysteries on this planet spread over 63 chapters. From the customary
ones like Nessie and UFOs to more obscure items like Patience Worth
and Jane Norkot.
About the only things really missing is a chapter
on whether there are blank panthers roaming around on Exmoor and
in Wales and an examination of ESP. Not all of the chapters are
unresolved. There are several that draw conclusions that have neatly
left them as files closed, at least until more information comes
to light.
Author Colin Wilson already has a reputation for
specialising in such subjects and does know what he’s writing about.
If I was to be overtly critical, I wish there was more of a conclusion
of what he thought about such matters towards the end of the book
but this no doubt keeps it within the encyclopaedia framework.
Several times he refers to ‘The Unexplained Encyclopaedia’
- something I’ve also read - and at the time, I often wondered why
none of their specialists compared notes on their various subjects
for similarities rather than treat them as things apart. From this,
it’s pretty obvious that this still hasn’t happened.
If you want to be reasonably up to date in this
type of material then this book is good value for its price. It
would have been nice to have had a photo section included but that
would no doubt have added to the price. As a personal aside, any
photographic proof raises these kinds of book beyond their author’s
opinion level.
Although I read this book from cover to cover,
strictly speaking I suspect most readers will browse rather than
do what I did. Saying that, don’t under-estimate the chapters that
might not automatically take your interest by the title alone as,
often as not, the subject gets much wider once past the first couple
pages.
The knowledge might be encyclopaedic but it would
have made more sense to conform to some semblance of order even
if it did make it easier for me to read through.
4. Cobra Trap: a Modesty
Blaise collection by Peter O’Donnell
Pub: Souvenir Press. 267 pages.
Price: £16.99. ISBN: 0-285-63332-5
OK, so why is a thriller being listed in what
is predominately a SF review column? Well, largely because there
aren’t many SF fans who don’t include Modesty Blaise novels in their
collections.
This is also a second hardcover printing suggesting
that it is highly unlikely that there will be a paperback release
of what is essentially the last and twelfth book in the series.
Had I known that, I would have made efforts to have got a first
edition when it came out.
I still can but can’t afford the price that is
currently being touted for it. That alone should be an indication
of the character’s popularity.
This is the second Modesty Blaise short story
collection. The other was ‘Pieces Of Modesty’. This book
covers events in Modesty and Willie Garvin’s lives together as a
team from the beginning during The Network days until the fifth
and final story here. The middle stories cover what could be regarded
as inserts around the novels with indicators as to where they fit
for the completest's sake into the continuity.
As with other authors who don’t wish to see their
characters continue forever more in other people’s hands, Peter
O’Donnell has crafted the final story that draws these characters
to a final end that hasn’t hit me as hard since Anne McCaffrey chronicled
Robinton’s death in her Pern novels. This should be an indication
of how well-written, fleshed out and familiar O’Donnell has been
over the years with his characters. They’ll be sorely missed.
The Modesty Blaise novels started in the mid-60s
following the success of the newspaper strip. Modesty is a retired
criminal boss with her own sense of justice willing to help people
in her own unique style. If anything, it is often the attraction
of danger that keeps her active and away from a boring retirement.
Starting in the 60s itself should be regarded as
a weakness since the characters have to age as they adapt to the
times. It was apparent to me from ‘Dead Man’s Handle’ - the eleventh
book - that O’Donnell was beginning to have problems with how to
deal with Modesty and Willie in the 80s, let alone any future decade
simply because he would have to admit to their ages.
This is largely what has made the non-Fleming James
Bond novels totally absurd today because he must be a doddering
90-year-old by now.
Peter O’Donnell is a superb craftsman storywriter
that all over writers can learn from. His speciality is ‘get-me-out-of-this’
plots which he cleverly lays the establishing info for the reader
to follow through. Oddly enough, he doesn’t really depend on this
too much in these short stories.
If anything, this is more character-orientated
stories than anything else. It wasn’t until I finished the book
that I realised he had stopped both lead characters from smoking.
Whether this was a tip of the hat to removing a bad habit or not
essential to the plots is debatable. This book is a definite page-turner.
If you’ve never heard of Modesty Blaise before,
then it is strongly recommended that you seek out the earlier books
and read them in sequence or the references in this book will be
totally lost to you.
There has never been a female heroine like Modesty
Blaise since and those that have existed have always lived in her
shadow.
5. Farscape: The Illustrated
Companion by Paul Simpson and David Hughes
Pub: Titan Books. 160 pages. Price:
£ 9.99. ISBN: 1-84023-178-5
Contrary to my erstwhile publisher, I felt that
the TV series ‘Farscape’ had legs from the start. Indeed,
it’s lived up well to that promise by daring to be different each
episode with some rather unexpected twists with strong adherence
to developing continuity.
This book chronicles the development of the series
and Season 1 only with plenty of info for the trivia freaks and
pre-production illustrations.
If I have to be critical of this book, it would
be for the lack of colour photographs. Everything is in black and
white. Fine for Chiana, but a bit poor when you consider how colourful
the rest of the characters are.
No doubt some consideration was given here to keeping
the price down but I don’t think fans would have objected considering
how little material there is available in the paper publishing industry.
I have the usual quibbles where episode guides
are incomplete by not giving their conclusions. It has to be pretty
obvious to anyone reading an episode guide that the lead characters
must have at least survived intact and it doesn’t help anyone who
missed an episode to know just what has gone on.
More so, when this is a changing continuity with
each episode growing from the last. Farscape Companion Season 2
is out in June 2000.
It’s been interesting to note that this book also
doesn’t include pictures of what the cast look like without their
make-up. Granted Claudia Black and Ben Browder must be extremely
ugly for them not to be shown but can the same be true of the rest
of the cast?
I’ve found pictures of the rest of them on the
Net sans make-up so it’s hardly a complete secret of what they look
like. About the closest to revealing anyone in the photographs is
a picture of Rygel’s chief puppeteer, John Eccleston, and he was
playing a role in one of the episodes to stay close to Sparky.
This book is selling extremely well. The distributor
I got my local bookshop to get it from - we do do spot checks on
this sort of thing after all - had a great deal of difficulty pulling
me a copy. With Titan Books as the publisher here, can it be too
long before they have a magazine out devoted to the subject?
6. The Art Of Rowena
text by Doris Vallejo and Rowena
Morrill
Pub: Paper Tiger. 112 pages. Price:
£20.00 ($29.95). ISBN: 1-85585-778-2.
Check the website: www.papertiger.co.uk
for their other books.
Strictly speaking, Rowena Morrill’s artwork is
seen gracing mostly fantasy as opposed to SF book covers. She also
works strictly to what the cover editor wants for a book and from
her biography, it is apparent that this has somewhat stifled her
artistic development.
Although extremely competent, I can’t help but
feel that there’s a personal spark missing on occasions. Saying
that, there’s supposed to be another book coming out shortly with
more personalised pictures of what she would paint unfettered.
This lady really does need to be encouraged to
do more of her own thing to show cover editors that she deserves
to have more latitude with their ideas.
As it stands, this collection is mostly a selection
of her book covers with a few portraits and calendar shots thrown
in for good measure. Morrill shows a remarkable use of oil considering
she’s not an air-brush user - even if it doesn’t look apparent from
the pictures here.
Morrill admits to a heavy reliance on models for
her people. Fortunately, they mostly don’t appear to all come from
the same mould as say with other artists. Again, with her years
of experience, I can’t help but feel that such a reliance is limiting
her pose capacity and think she ought to treat it as a challenge
to paint without using them sometimes as a means to stretch herself
more.
I’m not altogether sure if I would regard this
as the best selection of her work. Looking through her bibliography
in the book, there are only a couple items that that I actually
own.
Looking through her 1993 Fantasy Art trading card
collection, where many of these are also shown, I’m putting it down
to personal taste as regarding which might have been better choices
to have shown.
What is of interest to UK readers is a selection
of McCaffrey ‘Dragonriders Of Pern’ covers that weren’t distributed
in the UK. The ‘Dolphins Of Pern’ cover is breath-taking to say
the least. Like all the SF and fantasy artbooks, if you’re a fan
then you’ve probably picked this book up. If you haven’t then it’s
certainly worth a look.
(c) G.F. Willmetts 2001
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