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The
Incredibles
Pixar does it again with a comedy/action film about a family
of superheroes. Just when they thought they were out of the superhero
business they get pulled back in. Of course, as a film from Pixar
it is computer-animated, but that is just the gimmick. The writing
is the real attraction.
I
think the creative minds at Pixar periodically just look around the
office and see what their people's hobbies and interests are. Then
they build their films around those interests. They have built films
around toys, insects, tropical fish, and now comic book superheroes.
I suspect this is different from other animation studios that probably
start with a high concept. Pixar probably starts with a yen to play
with some kind of gizmo (fish, insects, monsters, toys, whatever)
and then let the gizmos suggest the story.
Curiously it is a formula that works well. One really had the feeling
with FINDING NEMO that the animation people wanted to play putting
realistic looking tropical fish on a computer screen and that drove
the story. SHARK TALE, Dreamworks's fish animated film, just seemed
to want to retell "The Reluctant Dragon" with fish. (Probably they
chose fish because Pixar was using them.) But SHARK TALE lacked
the joie des poisson that FINDING NEMO had. With THE INCREDIBLES
comic book heroes get the Pixar treatment.
In the comic books Superman never seemed to have much of a personal
life. Out of the blue suit Clark Kent had about as much personality
as a bowl of oatmeal. Originally none of the DC superheroes seemed
to have much personal life of interest. That was the revolution
of Marvel comics. In the Marvel Universe even superheroes have complex
private lives and strong personal problems. THE INCREDIBLES is a
film mostly about the personal lives of superheroes. We have a family
of superheroes dealing with each other and deciding how they fit
into society.
Fifteen years ago Mr. Incredible, secretly Bob Parr (voice by
Craig T. Nelson), was a superhero at the top of his form. He spent
his day doing super-good-deeds. But too often he found his good
deed were getting him into legal problems. A superhero with a spandex
suit is no match for a lawyer with a lawsuit. Bob quits the hero
business and marries Helen, a.k.a. Elastigirl (Holly Hunter).
Together they go into something like the Witness Protection Program
to be incognito and to try to have some semblance of a normal life
even if they are very abnormal people. He becomes another frustrated
cog in a giant corporate machine. They have two super-children:
the aptly-named Dash (Spencer Fox), who runs like The Flash, and
Violet (Sarah Vowell), who can make herself invisible and who can
create impenetrable force fields, just what the Shrinking Violet
in her needs to avoid the world.
There is also the baby, but he is "normal," Helen insists. With
everyone in the family trying to be normal, Bob can talk superhero
only to his friend and confidant Lucius Best (Samuel L. Jackson),
formerly the superhero Frozone. Both would love to get back into
full-time action and still an occasional heroic feat with the help
of a police scanner. Then a mysterious offer from a secretive organization
might just give Bob a chance.
The script written and directed by Brad Bird tells a real story.
The Parr family goes through changes in this film. Essentially they
learn the value of synergy and teamwork. Michael Giacchino's score
is usually fun and when the action gets thick it lapses into a delicious
pastiche of John Barry's "James Bond" action music. Previously Pixar
seems to have been doing everything they could not to do human figures.
The tropical fish look very realistic, but they probably could not
fool a tropical fish. Pixar's few human characters just do not feel
human. This is the first film they have done in which major characters
are human. But still they are still exaggerated caricatures.
Pixar turns out one good film after another and each time they
manage to make a film that can be appreciated by just about all
ages. THE INCREDIBLES is subversive, heart-warming, and fun. I rate
it a low +2 on the -4 to +4 scale or 7/10.
Mark R Leeper
(c) Mark R Leeper 2004
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OTHER CONTENT - December 2004
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Tad
and the Shadow
Fantasy author Tad Williams on the immersive nature of epic fantasy, the fact
that what most of us who keep coming back to fantasy fiction love about it is
that “sinking-in” feeling, that thrill of sliding into a new and convincing
world that exists side-by-side with our own ...
(AUTHOR INTERVIEWS)
Trudi
Canavan Interview
Fantasy author Trudi Canavan on the Black Magician trilogy, a world where some
humans have evolved the ability to use magic - an energy that is natural and
has no link to gods, demons, the land or any notion of good or evil. The catch
is that to release and develop their ability all magicians must be taught by
another ...
(AUTHOR INTERVIEWS)
The
Impatient Writer's Guide to Worldbuilding by Victoria Strauss
Another fab installment in the Writers Bloc series from artesix's guest writers
...
(ARTICLES)
Liz
Williams Interview
I often start with images; dreams, impressions, and occasionally characters,
but those tend to come later, after the setting has developed. For example,
I've just written a short story that started life as an image of a unicorn in
Kew Gardens in London -- from that developed a far-future SF story. I also quite
often misread things, and that sparks off ideas as well.
(AUTHOR INTERVIEWS)
Why
I Write Military Science Fiction
Three things pushed me toward writing military SF. The first reason is history.
In the long history of humanity so far, war is almost as constant as death and
taxes. Since the best guide to future behavior is past behavior, the constancy
of intertribal conflict suggests that there will be war for a very long time
to come.
(ARTICLES)
Who
is Dr. Strangelove?
Stanley Kubrick's film, Dr.Strangelove Or: How I Learned To Stop Worrying And
Love the Bomb, begins with a rolling fog of rumors. A foreign country is plotting
weapons of mass destruction, a Doomsday machine, against the United States.
Then it segues to beautiful, romantic music and two B-52s having sex...er, refueling
midair. Is this a good dream or a bad dream?
(ARTICLES)
Dead
Birds
About the only thing that is original and unfamiliar about this house of horrors
horror film is that it is set during the Civil War.
(MOVIE REVIEWS)
Phil
the Alien
Amateurish and low-budget skit on film has its moments, but mostly in its first
half. The film outstays its welcome.
(MOVIE REVIEWS)
Rahtree:
Flower of the Night
This ghost story goes in eight different directions at once, from tragic social
message to slapstick comedy. Some scenes are chilling, but the film is unfocused.
(MOVIE REVIEWS)
The
Incredibles
Pixar does it again with a comedy/action film about a family of superheroes.
Just when they thought they were out of the superhero business they get pulled
back in. Of course, as a film from Pixar it is computer-animated, but that is
just the gimmick. The writing is the real attraction.
(MOVIE REVIEWS)
The
Limb Salesman
This is an ironic love story set in a future world that has been badly damaged
in some strange way making uncontaminated water rare. Society is now built around
the efforts to find safe water. The story drags more than a little.
(MOVIE REVIEWS)
Space
Oddysey
Imagine crashing through the acid storms of Venus, taking a space walk in the
magnificent rings of Saturn, or collecting samples on the disintegrating surface
of an unstable comet.
(ARTICLES)
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