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Jensen Intercepted
Author Jane Jensen on her near-future thriller, Dante's Equation.
With clever science, baffling Torah code, devious secret agents and
just a little bit of romance, what more could you want from a book?
Last month saw the publication
of Jane Jensen's terrific near-future thriller Dante's Equation
. It's a novel that's bristling with clever science, baffling Torah
code, devious secret agents and just a little bit of romance. We
tracked down book publisher Orbit's newest star to find out more
...
Congratulations on the
publication of Dante's Equation. What was the idea that sparked
this incredible thriller, and how did you begin to weave together
all these gripping plot-strands?
I
took a class in Eastern Religions several years ago. While reading
a book of Buddhist scripture I came across a poem that described
how miserable everything was - women decay and grow old, your best
friends are really only out for themselves, food turns into putrescence
in your stomach, etc.
The idea was to convince you not to have desire
for anything. What struck me was that yes, all these things were
true, but there are equally good things about all of these items
that the poem's author was ignoring.
The more I thought about it, the idea grew of the
perfect symmetry of it, that everything is exactly fifty-percent
good and fifty-percent bad, just as everything in our universe is
split between opposites - male/female, dark/light. It's only our
subjective opinions that make us believe things are relatively better
or worse.
This was an exciting core idea to me and grew into
the story for Dante's Equation. As for weaving together the different
plots - a lot of plotting and lay-out work is involved.
As your work may be new
to some readers, can you describe the novel in a nutshell?
In
Dante's Equation an obscure physicist stumbles across an amazing
discovery - a physical law of good and evil. She is working on an
equation that predicts the behavior of matter particles by translating
them into energy waves.
In perfecting it, she discovers a universal wave
- a kind of modulator - that's exactly crest-trough, fifty-fifty.
She begins experimenting to figure out what this wave does, how
it affects matter. In the meantime, there are three other characters
in the story.
There's a rogue Marine whose job it is to hunt
down dangerous new weapons technology for the Department of Defense,
an Orthodox Rabbi in Jerusalem who discovers messages in the bible
code about a Polish physicist and Kabbalist who died at Auschwitz
named Kobinski, and a reporter for a paranormal magazine who's also
on to Kobinski because he was said to have disappeared from Auschwitz
in a blaze of light.
What the book is really about is good and evil,
and that's why the story explores not only some of the most evil
things that have happened here, like the holocaust, but even explores
the ideas of heaven and hell.
Kabbalism is of central
importance to the story - is this something you've always been interested
in? And do you think there's any particular reason why it has become
such a hot subject over the last few years?
Yes, I think Kabbala is like Nostradamus - it's
an ancient science that has the ambiguity to be read many ways and,
in that sense, is a great mediation tool, a way to reflect and enhance
and expand your own ideas.
I honestly can't say that I have studied it extensively.
I listened to an audio course several years ago by Rabbi David Cooper,
who has a wonderful way of taking these very complex ideas and applying
them to our modern lives. His work focused on the sephirot, the
different attributes from the Tree of Life. Kabbalists believe everything
in the universe if made up of these sephirot.
As an example, one of them is Gevorah, judgment
or restriction. To me this is the tendency to hold in, to be rigid
and closed, conservative. Its opposite is Chesed, which is pure
openness or liberality. In Kabbala the idea is to be balanced between
these extremes - not too closed and not too open.
The sephirot are embodied into my story not only
as characters (Handalman is Gevorah and Wyle is Chesed) but they
also strongly shaped my depiction of the heavens and hells. These
things are subtle - the book, I hope, reads as a thriller to someone
who is not into these things, but they are there if you look for
them.
The physics in the novel
is also extremely convincing - is it based on existing theories?
Do you have a background in this field?
No, this was the challenging part for me. I'm much
better at religious theory than science! The main ideas are from
books like The Holographic Universe by Michael Talbot, which I read
a long time ago and which never left me. The idea that all matter
is energy waves in the higher dimensions has been around a long
time and is, in fact, quite true.
As well as a convincing
multi-strand plot, you've developed some truly believable characters
- from very different walks of life. Was it easy to write from so
many different perspectives? Did some characters prove more troublesome
than others?
One of the interesting challenges in Dante's Equations
was that I wanted to write my characters based on the Kabbala sephirot.
In fact, I was forced to do this, because I had set up my system
of heavens and hells based on certain sephirot, and if I wanted
my characters to visit these heavens and hells, they had to belong
there, they had to be out-of-balance people, each an extreme of
one sephirot or another.
But this challenge was actually quite stimulating.
I think as a writer sometimes it is better to have very strict requirements
because it helps you to focus instead of being distracted by unlimited
choices. I thought a long time about each sephirot, such as Gevorah
- judgment - and what it would mean if you were completely the embodiment
of that principle as a person.
It gave me the basis for my characters and each
of them blossomed quite wonderfully from that core idea. I think
Jill was probably the most troublesome because her character is
so naturally stoic and cold. It was hard to make her interesting
to the reader, so her assistant Nate came to the rescue to make
her scenes more lively.
DANTE'S EQUATION refuses
to be pigeon-holed into a certain genre. It's sure to appeal to
fans of thrillers, mysteries, SF and fantasy. Does this reflect
your influences as a reader?
Yes, I suppose so. My reading tastes are eclectic.
Everything I write has a mystery/thriller feeling to it because
I plot that way - my characters uncovering elements of some bigger
picture or mystery. The fact that Dante's Equation is SF is really
incidental - or even accidental. It's SF because it involves technology
and in order for me to fully explore my theme I was required to
visit other worlds.
But I don't really consider myself an SF writer.
If I had to classify Dante's Equation or my previous novel, Millennium
Rising, as anything, I would call them as Metaphysical Thrillers.
What genre - and non-genre
- authors do you most enjoy reading?
I don't think fiction should be difficult to read,
I think it should be fun to read, but it shouldn't be brainless
either. Some of the authors I enjoy reading are Neil Stephenson,
Michael Crichton, and Dan Brown. I also read mysteries and some
of my favorite authors are Minette Walters and Elizabeth George.
I also read non-fiction, usually on religion, the occult and paranormal
or history.
What are you reading now?
Quicksilver by Neal Stephenson.
Are you still involved
in the computer games scene? And do you think this has influenced
your fiction?
Yes, I am. I'm working on a new game series that
involves a neurobiologist from Oxford and a young American street
magician and their search for legitimate powers of the mind. I find
that my storytelling is quite similar between the games and books,
but I'm not sure if that means my games are inherently book-like
or my books are inherently game-like!
What are you working on
now?
My next novel is still a bit of a question. I've
started several projects, but I'm not sure which one will become
the next book. It will probably be a ghost story.
Thanks to Orbit Books (and Ben
Sharpe) for permission to post this interview. For more details
of their SFF authors and books, visit Orbit at www.orbitbooks.co.uk
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