|
Changing Of Faces by Tim Lebbon.
pub: PS Publishing. 98 page book. Hardback: Price:
£25.00 (UK), $40.00 (US). ISBN: 1-902-880-68-4. Enlarged paperback:
Price: £10.00 (UK), $16.00 (US). ISBN: 1-902-880-68-6)
check out website: www.pspublishing.co.uk
Finding
a market for novella-length stories is always difficult. They are
too long for most magazines and too short to interest the major
publishing houses.
Thus it is nice to see a publisher prepared to cultivate
them as a niche market. ‘Changing Of Faces’ is one of a series of
collectable books being produced by PS Publishing. They are numbered
limited edition volumes, nicely presented and with an insert signed
by the author.

Tim Lebbon is a highly respected author in the horror
field. Here he is examining the way in which people react in the
face of disaster. Some authors will start right at the beginning,
establishing their characters before gradually having the disaster
creep up upon them such as in Stephen King's ‘The Stand’, a thousand
page epic of before, during and after a plague wipes out most of
the human population of the USA. Lebbon drops us into the latter
stages.
In a minimum of words, scattered throughout the text
we discover that some kind of plague has swept across Britain, killing
most living organisms, including plants and resurrecting them to
infect others. The word ‘zombie’ is not used but the implication
is there.
A small group of survivors has found a kind of sanctuary
on a beached ferry. They are just beginning to hope that it is all
over. Then a giant crow punches its way through a steel door, intent
on eating those on the other side. It is not alone. With death or
dawn, the were-animals revert to their human form and the group
is smaller.
The viewpoint character is the youngest of the survivors.
At twelve, Jack is on the edge of puberty and still, despite the
traumas he has been through, has a sense of curiosity and adventure.
It is this that leads him to follow Lucy when she leaves the ferry,
heading back to her hometown and the place that, she says, the were-animals
come from.
This is a very fine closely observed piece. The sense
of terror is heightened because it is unexpected and tightly focused.
The desperation of the characters comes across in the writing. For
those that like the frisson that good horror gives, this is a gem.
Pauline Morgan
|
|
OTHER REVIEWS - May 2004
Non Fiction
Mythology: The DC Comics Art Of
Alex Ross
Futures: 50 Years In Space The
Challenge Of The Stars by David A. Hardy and Patrick Moore
Lyra’s Oxford by Philip Pullman
Tolkien: A Cultural Phenomenon:
Second Edition by Brian Roseberry
DVDs
Millennium
Babylon 5: The Complete First
Season: Signs and Portents
Fantasy
Jinn by Matthew B.J. Delaney
Midnight Tides by Steven Erikson
The Siege Of Mithila by Ashok
K. Banker
Broken Crescent by S. Andrew Swann
The Magician’s Guild by Trudi
Canavan
The Destroyer Goddess by Laura
Resnick
Fool's Errand by Robin Hobb
White Wolf by David Gemmell
The Weavers Of Saramyr by Chris
Wooding
The Iron Grail by Robert Holdstock
Faerie Tales edited by Martin H.
Greenberg and Russell Davies
Darknesses by L.E. Modesitt, Jr.
Slipstream
Changing Of Faces by Tim Lebbon
Karloff’s Circus by Steve Aylett
The Well Of Lost Plots by Jasper
Fforde
Science Fiction
The Golden Globe by John Varley
Market Forces by Richard Morgan
It Came From Outer Space screenplay
by Ray Bradbury
A Gift Of Dragons by Anne McCaffrey
Zero Calvin by Brian Cramer
Different Kinds Of Darkness by
David Langford
Felaheen The Third Arabesk by
Jon Courtenay Grimwood
Absolution Gap by Adrian Reynolds
The Line Of Polity by Neal Asher
The Affinity Trap by Martin Sketchley
Natural History by Justina Robson
Horror
Living Dead In Dallas by Charlaine
Harris
Magazines
Challenging Destiny # 17
CHAT
ABOUT THIS STORY
Advertise
Here (More ...)
|