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One Page Stories Submissions (or What To Do, What To Write And How to Submit)

This is an experiment on the website for all of you writers and neo-writers out there. One of the criticisms that I raise when working my way through our slush pile is that writers need to learn how to tell a story with a limited word count to make everything count and tell a good story.


As there are few places and magazines around to give a chance, we're going to run this here and see how it goes. If you can get the mechanics of storycraft sorted out at this level, it will make bigger pieces easier to write.

To this end, we're offering space to print one page stories. Anything that falls outside of the rules below will be rejected with minimal explanation just in case I'm getting too many at a time but it will indicate where any weaknesses lie and what you need to focus on to sort it out for future stories.

The Rules:-

1. Story must have a title and author name as well as your email and terrestrial address - these will be omitted, unless asked otherwise, should the story be accepted.

2. The story can be single-lined but must not extend beyond the length of an A4 page with 11/2 inch left margin, 1 inch right margin. I don't care if it's a word or a sentence beyond this length, this has to be obeyed. Part of the objective lesson of this exercise is to keep the word count down and tight to fit A4 size. In case you need to know, it's roughly 600 words but that depends on the length of your words. Just remember an A4 page.

3. Read the rules of grammar and get them as perfect as possible. Set your Word Processor for English (United Kingdom). It can be tagged to one particular story and you can go back to whatever you use in your own country with other documents. Treat this as part of the exercise cos you do do this when submitting to other countries, don't you?

4. Apply standard text format. All paragraphs start with two spaces and there is no need to drop a line between paragraphs.

5. Check out the guidelines as run on the website submissions to see what other foibles I normally like to see, especially regarding speech marks.

6. Be original!!! Any plagiarism or borrowing of copyrighted characters from elsewhere is grounds for instant return.

7. Minimal editing correction will be at editor's discretion and shown to writer before being released on the website. All copyright remains with the writer and it can act as part of your writer's CV.

8. Story should NOT be sent as an attachment but pasted into the normal reply box. Ensure you keep a copy of your story at your end with a simple introduction of who you are. SFCrowsnest take no responsibility for lost stories. In the subject box, type ‘One Page Story’.

9. Editor's decision is final.

Easy to follow instructions. There are two stories that can be read already in different styles. It’s up to you as a writer to decide how you will treat your own ideas when converting them into a story.

E-mail to me at (and read the email address and remove the words that are used to purge spam to the abyss): gfwillmettsWORDSDONTBELONGHERE@hotmail.com


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OTHER CONTENT - November 2004

Oasis Star Trek

NEW. Add this news to your own web site for free!

Terry Brooks gets Tanequil
Fantasy author Terry interviewed about his new novel, Tanequil, the second book in the High Druid of Shannara trilogy, on growing as an author, and his plans to return to his earlier Word & Void series.
(AUTHOR INTERVIEWS)

Sea, Sky by Rosemary Kirstein
The author of The Language Of Power ruminates about world creation and comes to the conclusion that there are basically two ways to do it. You can begin from the top down, or from the ground up.
(ARTICLES)

Third World
One of our famous one page stories by GF Willmetts.
(FICTION)

Black Cat Investments Ltd. - Your Money Is Safe With Us
One of our famous one page stories by Rod MacDonald.
(FICTION)

San Diego Comic-Con '04
So, it looks like half the people who voted in a Crowsnest poll a couple of months back have never been to a convention. Which is a little sad when you come to think of it - there's really nowhere else on earth you get to indulge your genre weakness like a Con. If only because everyone else there is doing exactly the same thing.
(CON REPORTS)

One Page Stories Submissions (or What To Do, What To Write And How to Submit)
This is an experiment on the website for all of you writers and neo-writers out there. One of the criticisms that I raise when working my way through our slush pile is that writers need to learn how to tell a story with a limited word count to make everything count and tell a good story.
(ARTICLES)

I Remember Superman
Christopher Reeve, 1952-2004 - a lament by: GF Willmetts.
(ARTICLES)

Offworld Report: Science Fiction and Fantasy, November 2004
Interviews with Stephen R. Donaldson, Clive Barker, Matt Stone and Trey Parker, Clark Kent's foster father, and John Clute, Dell Magazines' SF boat cruise, fiction by Peter Crowther, and getting laid at a science-fiction convention.
(NEWS)

Offworld Report: Weird Science, November 2004
Iran's first satellite, the X Prize is won, a fossil dragon, robot fish, why space access costs must, and can, drop dramatically, and has the Great Galactic Ghoul lost its appetite for Martian probes?
(NEWS)

Resident Evil: Apocalypse (Frank's Take)
Director Alexander Witt takes over this elaborate gory gaming gimmick by ushering out the second installment Resident Evil: Apocalypse. The labored formula remains the same regarding a curvy and calisthenics cretin-kicking cutie leading the charge in eliminating some serious zombie butt.
(FILM REVIEWS)

Shark Tale (Frank's Take)
DreamWorks tries awkwardly in their blind ambition to continue the delightful digital-animated ditties in the celebrated spirit that has been previously so vastly successful at the box office. As a result, the DreamWorks creative machine conjured up a spry but uneven underwater adventure in the derivatively upbeat animated feature Shark Tale.
(FILM REVIEWS)

Sky Captain and the World of Tomorrow (Frank's Take)
In the stylistically ambitious sci-fi fantasy Sky Captain and the World of Tomorrow, Conran concocts a colorful creation dripping with cheerful arty set designs armed with a refreshing old-fashion storytelling sentiment that drives this opulent noir to its creative core.
(FILM REVIEWS)

Shaun of the Dead (Frank's Take)
The devilishly dandy flesh-eating farce Shaun of the Dead certainly fits the bill as a monstrously subversive parody that delivers the ghoulish goods. With its British-oriented sense of stinging wry wit coupled with some truly genuine gloomy gumption, Shaun of the Dead is a delightfully sick-minded yet spry frightfest that captures the twisted imagination.
(FILM REVIEWS)

Ghost In The Shell 2: Innocence (Mark's Take)
Mark checks out this popular Japanese anime flick and discovers the animation is never flat, but demonstrates varying degrees of dimensionality, frequently within the same frame.
(FILM REVIEWS)

Hero (Mark's Take)
China tries to make its own Crouching Tiger with a story of an enigmatic stranger who has killed a triad of assassins for the benefit of China's first Emperor. The stranger tells the emperor multiple versions of how he killed the emperor's enemies. Visually Hero is stunning. The telling is operatic in style but becomes muddled.
(FILM REVIEWS)

Les Revenants (Mark's Take)
A creative and intelligent recycling of the horror concept of the dead returning, but this time it is used for non-horror purposes. Les Revenants runs into pacing problems toward the middle.
(FILM REVIEWS)

Primer (Mark's Take)
This SF film gets the research environment and the baffling scientific techno-jargon just about right. The story is hard to follow, but that might not be so unrealistic either. Definitely this is a demanding and puzzling film that does a lot with its minuscule budget.
(FILM REVIEWS)

Shark Tale (Mark's Take)
Dreamscape's latest animated film is set in a sort of undersea urban environment and should entertain the whole family. The story is familiar but the jokes come in a rapid fire.
(FILM REVIEWS)

Shaun of the Dead (Mark's Take)
This film is like a crossbreeding of George Romero and Mike Leigh. Oblivious lower-middle-class Londoners slowly become aware that the dead are returning at trying to eat the living. This satire laughs at the tropes of the zombie movie, but even more at the foibles of English life today. The first half is very funny and the second half is at least witty.
(FILM REVIEWS)

Sky Captain and the World of Tomorrow (Mark's Take)
The Art Deco future as it was seen from the late 1930s is the background for this super-paced sci-fi adventure. The plot is just a chain of action sequences, one leading to the next, and the characters are one-dimensional. Even the artwork is a little too dark, but the images are genuinely exciting and they are what make the film worth seeing.
(FILM REVIEWS)


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