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I Remember Superman

Christopher Reeve, 1952-2004 - a lament by: GF Willmetts.



It says a lot about the quality or popularity of an actor if his most notable achievement was over a quarter of a century ago that his death makes all the national news channels as well as the front pages of all the national newspapers.

It’s also said people need heroes or people to admire, something that Christopher Reeve didn’t forget when he got the role of Superman in the 1978 film.

Oddly enough, looking through Christopher Reeves filmography, he appeared in a couple of other SF films other than the Superman movies: ‘Somewhere In Time’ and ‘Village Of The Damned’ but most of his other films were more selective. No doubt there was some elements of being typecast to be avoided but he could also pick and choose what he wanted to appear in as well.

Wearing a cape and tights as a super-hero on film or TV has always been a point of contention for production companies and actors alike. It works great in comicbooks because much of the time there are many other characters who have the same dress sense.

Taken in isolation, the super-hero stands out from the crowd and ends up looking surreal. Bringing credibility to the part is entirely up to the actor.

Up to 1978, there was little in the way of credible portrayals of super-heroes on any screen, largely because the special effects and budget weren’t up to it. Without the Christopher Reeve starring ‘Superman’ film being as successful as it was, I doubt if we’d have seen many attempts, let alone being given the necessary finance to make them work. The diminishing budgets on the later ‘Superman’ films clearly showed also that money had to be put in if quality had to come out.

The first time I saw the first ‘Superman’ film, like everyone else, I got swept into its reality. To that, you can’t just attribute that to anyone person or part of the team. They all wanted it to succeed and that you’d accept that a man can fly and do heroic things because they had the means to do it.

That was still a heavy burden to place on any actor who would be taking the lead role. Chris Reeve was credible as both Superman and his alter-ego, Clark Kent. Two faces on the same side of the coin. Getting that right and everything else worked as well.

In 1995, Chris Reeve was left a paraplegic after a riding accident. A situation that has affected other people in the past, present and even the future. The exception this time was because it happened to someone we liked on the big screen. It’s a testament to the man that he pulled himself together and instigated money into charity to pay for research that could lead to a possible cure for people similar to himself in that situation.

With the way breakthroughs happen these days, such things are more likely to happen sooner than later in the coming years. Christopher Reeve might not have lived to see the benefits for himself but has led the way to treat people in these situations with a lot more respect with what they have to live with on a daily basis.

To that, sir, you have my deepest regards and won’t be forgotten.

GF Willmetts


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OTHER CONTENT - November 2004

Oasis Star Trek

NEW. Add this news to your own web site for free!

Terry Brooks gets Tanequil
Fantasy author Terry interviewed about his new novel, Tanequil, the second book in the High Druid of Shannara trilogy, on growing as an author, and his plans to return to his earlier Word & Void series.
(AUTHOR INTERVIEWS)

Sea, Sky by Rosemary Kirstein
The author of The Language Of Power ruminates about world creation and comes to the conclusion that there are basically two ways to do it. You can begin from the top down, or from the ground up.
(ARTICLES)

Third World
One of our famous one page stories by GF Willmetts.
(FICTION)

Black Cat Investments Ltd. - Your Money Is Safe With Us
One of our famous one page stories by Rod MacDonald.
(FICTION)

San Diego Comic-Con '04
So, it looks like half the people who voted in a Crowsnest poll a couple of months back have never been to a convention. Which is a little sad when you come to think of it - there's really nowhere else on earth you get to indulge your genre weakness like a Con. If only because everyone else there is doing exactly the same thing.
(CON REPORTS)

One Page Stories Submissions (or What To Do, What To Write And How to Submit)
This is an experiment on the website for all of you writers and neo-writers out there. One of the criticisms that I raise when working my way through our slush pile is that writers need to learn how to tell a story with a limited word count to make everything count and tell a good story.
(ARTICLES)

I Remember Superman
Christopher Reeve, 1952-2004 - a lament by: GF Willmetts.
(ARTICLES)

Offworld Report: Science Fiction and Fantasy, November 2004
Interviews with Stephen R. Donaldson, Clive Barker, Matt Stone and Trey Parker, Clark Kent's foster father, and John Clute, Dell Magazines' SF boat cruise, fiction by Peter Crowther, and getting laid at a science-fiction convention.
(NEWS)

Offworld Report: Weird Science, November 2004
Iran's first satellite, the X Prize is won, a fossil dragon, robot fish, why space access costs must, and can, drop dramatically, and has the Great Galactic Ghoul lost its appetite for Martian probes?
(NEWS)

Resident Evil: Apocalypse (Frank's Take)
Director Alexander Witt takes over this elaborate gory gaming gimmick by ushering out the second installment Resident Evil: Apocalypse. The labored formula remains the same regarding a curvy and calisthenics cretin-kicking cutie leading the charge in eliminating some serious zombie butt.
(FILM REVIEWS)

Shark Tale (Frank's Take)
DreamWorks tries awkwardly in their blind ambition to continue the delightful digital-animated ditties in the celebrated spirit that has been previously so vastly successful at the box office. As a result, the DreamWorks creative machine conjured up a spry but uneven underwater adventure in the derivatively upbeat animated feature Shark Tale.
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Sky Captain and the World of Tomorrow (Frank's Take)
In the stylistically ambitious sci-fi fantasy Sky Captain and the World of Tomorrow, Conran concocts a colorful creation dripping with cheerful arty set designs armed with a refreshing old-fashion storytelling sentiment that drives this opulent noir to its creative core.
(FILM REVIEWS)

Shaun of the Dead (Frank's Take)
The devilishly dandy flesh-eating farce Shaun of the Dead certainly fits the bill as a monstrously subversive parody that delivers the ghoulish goods. With its British-oriented sense of stinging wry wit coupled with some truly genuine gloomy gumption, Shaun of the Dead is a delightfully sick-minded yet spry frightfest that captures the twisted imagination.
(FILM REVIEWS)

Ghost In The Shell 2: Innocence (Mark's Take)
Mark checks out this popular Japanese anime flick and discovers the animation is never flat, but demonstrates varying degrees of dimensionality, frequently within the same frame.
(FILM REVIEWS)

Hero (Mark's Take)
China tries to make its own Crouching Tiger with a story of an enigmatic stranger who has killed a triad of assassins for the benefit of China's first Emperor. The stranger tells the emperor multiple versions of how he killed the emperor's enemies. Visually Hero is stunning. The telling is operatic in style but becomes muddled.
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Les Revenants (Mark's Take)
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Primer (Mark's Take)
This SF film gets the research environment and the baffling scientific techno-jargon just about right. The story is hard to follow, but that might not be so unrealistic either. Definitely this is a demanding and puzzling film that does a lot with its minuscule budget.
(FILM REVIEWS)

Shark Tale (Mark's Take)
Dreamscape's latest animated film is set in a sort of undersea urban environment and should entertain the whole family. The story is familiar but the jokes come in a rapid fire.
(FILM REVIEWS)

Shaun of the Dead (Mark's Take)
This film is like a crossbreeding of George Romero and Mike Leigh. Oblivious lower-middle-class Londoners slowly become aware that the dead are returning at trying to eat the living. This satire laughs at the tropes of the zombie movie, but even more at the foibles of English life today. The first half is very funny and the second half is at least witty.
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Sky Captain and the World of Tomorrow (Mark's Take)
The Art Deco future as it was seen from the late 1930s is the background for this super-paced sci-fi adventure. The plot is just a chain of action sequences, one leading to the next, and the characters are one-dimensional. Even the artwork is a little too dark, but the images are genuinely exciting and they are what make the film worth seeing.
(FILM REVIEWS)


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